Columns : Ear Candy Last Updated: Mar 19th, 2008 - 07:43:02


Ear Candy (September 6, 2006)
Sep 6, 2006, 16:56

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Bob Dylan
Modern Times
Columbia

If you’ve always wanted to hear what “Subterranean Homesick Blues” would sound like if you castrated it, you will find that song on Modern Times. If you have been tirelessly seeking to hear the sad, old cousin of “Lay, Lady, Lay,” sit down, my friend; take a rest. Modern Times is here.

For as long as I can remember, each new Dylan album has been touted as his “return to form” with the “Dylan is back” tagline. The thing is, Dylan never went anywhere — and that might be the problem. We already knew what this album was going to be — and we have for the last 10 or more years of his blandly consistent output — only the average BPM rates have gotten a bit slower. Dylan The Great and Wise, the one you’re hoping to find, occasionally appears on Modern Times, but otherwise this disc is full of “late-career album tracks” in the most boring and predictable sense of that phrase.

If right now Dylan only releases a new album about every five years, I propose he double that span and stop touring. Give us a little time to rediscover him. - KND




Eric Bachman
To The Races            
Saddle Creek

Bachman’s sound is warm and ponderous, minimalist and endearing. He transcends the bland coffee house beatnik with an acoustic guitar and attains an ominous and worldly repose; his dark, yet soothing, reflective strumming akin to the sophistications of an Elliott Smith. - JM





Kasabian
Empire
BMG

A full metal jacket of sludge guitar explodes into a hellish mushroom cloud of stardust on Empire’s title track. The album’s aura attracts the velvety acidic era of psychedelic freelove that’s Kraftwerk-laced, seen through the eyes of a modern day Berkeley protester. Revivalist records like “Me Plus One” channel hallucinations of Joel Gion on the tambourine. Dig it man. - TM




Kelis
Kelis Was Here
La Face

When Kelis hit the scene in 1999 with “Caught Out There” most thought she was drunk with anger. In 2003 she made everyone overindulge on her “Milkshake.” With her third album, Kelis’ leadoff single “Bossy” is yet another serving of attitude on the rocks. No longer working with Pharrell Williams, Kelis’ Neptunes-free songs showcase even more of her stylish, ever-changing approach. - JW




On The Last Day
Meaning In The Static
Victory

On The Last Day play catchy metal-emo that manages to not completely annoy me. Basically, take Atreyu and swap the vocal roles of the screamer and the singer/drummer guy, and they’d sound exactly like On The Last Day. With Victory’s bucks behind them, these dudes should make some major waves. Fairly predictable, but better than most stuff in this somehow dominant genre. - BK




The Drams
Jubilee Dive    
New West

Most of this band has its roots in alt-country, but barely any shred of that is evident in the sound of The Drams — which brings the listener somewhere between Uncle Tupelo and Spoon. The guitars are earnest and energetic, though sometimes evoking an eerie, dated familiarity to this brand of pop (perhaps we can start saying something sounds ‘90s-ish now). - JM




The Thermals
The Body The Blood The Machine
Sub Pop

The Thermals blast into another disc, but their bizarrely political lyrics and sloppy, raucous guitars impart an aesthetic that would be better served with lo-fi production. Instead the disc is crisp and clean, dulling the album’s teeth and casting The Thermals into a light that unfairly projects them as industry hacks (which they’re not) trying to make an odd, hip record. - BK



local


Queen Bee
Girl On Top
Hot Pants Records

Queen Bee is like a sex-charged Kim Gordon who looks like a pin-up. Imagine Sonic Youth’s grunge era blended with Iggy’s Raw Power with a half-naked blonde slithering on top of the mix. It’s loud, it’s raucous — it’s got more sexual innuendo than Prince at his peak — it’s Queen Bee. And it’s pretty damn good. - SA



in my ear

Unearth
Unearth are part of the new class of heavies, melding the ferocious backbeat of Hatebreed hardcore with the brutal, low-end metal guitars. The purveyors of seven-string guitars just released their latest onslaught, III: In The Eyes Of Fire, and is it ever a scorcher! Guitarist and all-around good guy Ken Susi let us peek at his recent record rotation. Unearth will whip the Royal Oak Music Theatre into a chaotic mass Sept. 8.

Megadeth
Rest In Peace

Jason Becker
Best of Anthrax

Amongst The Living
Killswitch Engage

Alive or Just Breathing
Every Time I Die

Gutter Phenomenon
Muse

Absolution
The Beatles
The Beatles (aka White Album)

Crowbar
Crowbar

August Burns Red
Thrill Seeker

Robby Roadsteamer
Postcards from the Den of Failure


dmrc top 10

1. Iron Maiden — “Reincarnation of Benjamin Breeg” single • 2. Obie Trice — Second Round’s on Me • 3. Ani DiFranco — Reprieve 4. Slayer — Christ Illusion • 5. Gnarls Barkley — St. Elsewhere • 6. Mew — And the Glass Handed Kites • 7. Johnny Cash — American V … 8. Pharrell — In My Mind • 9. Nelly Furtado — Loose • 10. Sonic Youth — Rather Ripped